"How does one use film to describe a woman who thinks?"

This, in her own words , was one of director Margarethe von Trotta’s main challenge when shooting her 2012 movie ‘ Hannah Arendt ’, which will be released in North America this spring. Arendt, a German-Jewish intellectual who narrowly escaped concentration camp and survived the war in New York, became most famous in the early 1960s with her coverage of the Eichmann trials in Jerusalem for The New Yorker . It is on this period of her life that the movie mostly zooms in. The movie is mostly about what Hannah Arendt - as a person, lover, intellectual, friend, woman - went through while engaging with and covering the Eichmann trial. The film is a fantastically entertaining, at times even nail-biting-tense piece of cinema. Von Trotta has turned what in terms of plot could be a rather boring and uneventful story into a veritable thriller. Hence her quote above, which summarizes the challenge. We have commented earlier on this blog on some of Arendt’s intellectual heritage , and ...